Olympic Artichoke

Clip of the Week

2011-12-12T20:33:00.001-06:00

Happy Horror-Days!
December 12

Tales From the Crypt: And All Through the House

HAPPY HORROR-DAYS!

2011-12-11T02:59:00.005-06:00

Happy Horror-days
December 11
http://www.blogger.com/img/blank.gif

Twilight Zone: "Night of the Meek"

Click HERE for the recent write-up on the AV Club Advent Calendar.

Click HERE for the Wiki link.

Click HERE to watch on YouTube

Now That's Art!

2011-12-10T01:55:00.002-06:00

HAPPY HORROR-DAYS
DECEMBER 10

Rare Exports: A Christmas Tale

HAPPY HORROR-DAYS!

2011-12-09T20:37:00.001-06:00

HAPPY HORROR-DAYS!
DECEMBER 9, 2011

Christmas Evil

Now That's Art!

2011-12-08T10:25:00.001-06:00

HAPPY HORROR-DAYS
DECEMBER 8

Saint Nick (Sint - 2011)

HAPPY HORROR-DAYS!

2011-12-07T10:01:00.000-06:00

HAPPY HORROR-DAYS
DECEMBER 7

Santa Claus (1959)

IMDb Link

Directed by René Cardona

Starring: José Elías Moreno and José Luis Aguirre 'Trotsky'

IMDb Plot Summary: "Santa Claus, high above the North Pole in his cloud-borne castle equipped with more surveillance devices than the Impossible Mission Force, prepares to deliver presents on Christmas night. Santa is especially interested in helping Lupita, the daughter of a poor family who wants nothing more than a doll; and a young boy whose parents are so wealthy they never spend any time with him (Santa fixes this by feeding them Pan-Galactic Gargle Blasters). However, the Devil will have none of this and sends his minion, Pitch, to foil Santa's plans. Pitch in turn recruits three Naughty Boys to help him set traps for Santa."

HAPPY HORROR-DAYS!

2011-12-06T08:22:00.003-06:00

HAPPY HORROR-DAYS!
December 6

Santa Claws (1996)

IMDb Link

Directed by John A. Russo

Starring: Debbie Rochon, Grant Cramer

IMDb Plot Summary: "A young man finds his divorced mother having sex with a man in a Santa Clause hat and shoots them both dead. Years later, now thinking he is Santa Clause, the man develops an obsession with an erotic horror film star named Raven and begins stalking her."

Clip of the Week

2011-12-05T05:58:00.000-06:00

HAPPY HORROR-DAYS!

December 5

Silent Night, Deadly Night (1984) trailer:

HAPPY HORROR-DAYS!

2011-12-04T10:38:00.003-06:00

December 4

I-Mockery has been on of my favorite sites for a long time now. And one thing that you can always count on from the guys over at that site is great content around the holidays. For today's Happy Horror-day, I'm just going to link you over to I-Mockery's latest game, "The Snow Runs Red". Head over there, play it, and have some fun. The link is below this paragraph:
CLICK HERE FOR YULE-TIDE CARNAGE

Now That's Art!

2011-12-03T16:22:00.001-06:00

HAPPY HORROR-DAYS
DECEMBER 3

Gremlins (1984)

Now That's Art!

2011-12-02T10:16:00.002-06:00

HAPPY HORROR-DAYS!

DECEMBER 2

Black Christmas (1974)

HAPPY HORROR-DAYS!

2011-12-01T08:14:00.004-06:00

DECEMBER 1

Every day during the month of December, I will be posting something horrifically seasonal - be it a YouTube video, a poster, information about a TV episode or movie, or a rant - for your viewing pleasure.

Santa's Slay (2005)

IMDb Link

Directed by: David Steiman

Starring: Bill Goldberg, Emilie de Ravin, Chris Kattan, Rebecca Gayheart

IMDb plot summary: "Santa Claus is actually a demon who lost a bet with an Angel, so he becomes the giver of toys and happiness. But when the bet is off, he returns to his evil ways."

Back from the Grave

2011-12-01T08:10:00.003-06:00

Hello there, boils and ghouls. It is I, your humble servant, The Warfreak. I know that it has been a long time since last I posted, but something about the weather turning colder and the calendar changing from November to December has forced me to crawl up out of my hole and rejoin the blog-o-sphere. Hopefully I've got some things to say that will be interesting to somebody. More to come soon.

Clip of the Week

2011-05-31T15:58:00.001-05:00

Satyricon - Mother North

Twynty Uno

2011-05-29T15:18:00.002-05:00

Tw3nti

2011-05-20T04:13:00.003-05:00

Nient33n

2011-05-08T23:33:00.004-05:00

Now That's Art

2011-02-20T07:58:00.003-06:00

Rare Exports: A Christmas Tale (2010)

Clip of the Week

2011-02-10T12:22:00.000-06:00

Blouse - Into Black

Blouse // Into Black from Wooden Lens on Vimeo.

Clip of the Week

2011-02-08T13:13:00.001-06:00

Gary Wilson - Secret Girl

Gary Wilson "Secret Girl" from Annie Pearlman on Vimeo.

Clip of the Week

2011-01-03T08:51:00.000-06:00

Clip of the Week

2010-12-02T23:22:00.000-06:00

Gary Wilson - In The Night

In The Night by Gary Wilson from Western Vinyl on Vimeo.

Clip of the Week

2010-11-22T11:54:00.001-06:00

Olof Arnalds - Surrender

Now That's Art!

2010-11-04T04:41:00.000-05:00

The Bonnie Parker Story - 1958

Did You Know?

2010-11-02T16:38:00.003-05:00

Did You Know?

That 20th Century Fox and Atari got together sometime in the early eighties to develop a game based on the 1981 horror picture The Entity? It's true, and the prototype still exists! Why would they base a game on such clearly disturbing subject matter? Beats me, but it's totally radical! Check out this link for more information: http://www.atariprotos.com/2600/software/entity/entity.htm

Happy Halloween - 2010

2010-10-31T08:41:00.001-05:00

October Horror Gauntlet Film #11

2010-10-31T08:34:00.002-05:00

October Horror Gauntlet Film #11
[REC]
Directed by Balagueró and Plaza

I don't know what more I can really say about [REC]. It's one of my top ten horror films of the decade. It's my favorite found-footage film. It's one of the best zombie (viral, or otherwise) movies of all time. It's pretty much fantastic - taut, thrilling, scary, enthralling. All the things you want a horror film to be.

If you are one of the uninitiated, [REC] is the story of a young reporter that's on assignment following around a team of firefighters. They are dispatched to a call in an apartment building, where an elderly lady may be hurt. Of course, from there things get really interesting. I really don't want to get bogged down here in plot description. The plot is effective enough, but it's really secondary to the palpable sense of dread that the film creates. Other than maybe Martyrs, [REC] is probably weaves the most effective web of atmosphere of any horror flick in the last ten years.

Suffice to say that I recommend the film. And highly. I haven't seen the American remake (Quarantine), but I can't imagine it coming very close to matching the quality of [REC]. Maybe I'm wrong though, and it's just as awesome. But I doubt it.

8/10

October Horror Gauntlet Film #10

2010-10-31T08:29:00.001-05:00

October Horror Gauntlet Film #10
Daybreakers
Directed by Spierig Brothers

Daybreakers kind of came-and-went pretty fast on its theatrical run. I remember seeing the previews for it, and thinking that it might be pretty good, only to completely forget about it once I got around to going to the theater. Daybreakers is the latest film from the Spierig brothers. You remember them, the guys behind the Australian zombie picture Undead from a few years ago. Anyway, it's a hyper-stylized, heavy-on-the-action affair that is probably really less horror than it is a distopyian sci-fi/action picture. Is that a bad thing? Not at all. In fact, I kind of enjoyed Daybreakers.

To catch you up a little bit, the story takes place about ten years in the future. An vampiric epidemic has broken out, and most of the world have become night-walking, blood-sucking vampires. The problem is the country is running out of its blood supply. Insert Ethan Hawke's Edward Dalton - a vampire with a heart of gold that is working on a way to create synthetic blood (ala True Blood). Of course, the plot moves forward from there, and Dalton winds up working with a rag-tag group of humans (including Willem Defoe) to try and put an end to the reign of vampire terror.

Daybreakers is really a pretty lackluster affair. All of the setup is there for a great cult film. The mythos and world the filmmakers created really are a great start. Unfortunately, they don't do a whole lot with it. If it had done better, I would say that maybe a sequel could build on these elements, but I don't see that happening. There just isn't enough meat to...sink your teeth in to. I know that's pretty vague, but watch it and see what I mean. And I do believe it is worth watching. It's a fun, violent movie that works on a few levels. But don't expect your next favorite movie. Oh, I do have to mention this: Sam Neil is great, as usual.

6/10

October Horror Gauntlet Film #9

2010-10-31T08:24:00.002-05:00

October Horror Gauntlet Film #9
The Rocky Horror Picture Show
Directed by Jim Sharman

Okay, so this one is a little bit of a cheat. It's not exactly a horror movie, but I think it can quality for the Gauntlet, as it is something of a satire of horror pictures. And, yes, I'm a bit late to the party on this one. I had never seen The Rocky Horror Picture show before. So, I guess the question is did I actually miss out on anything in all those years of having not seen the film? My feelings are actually kind of mixed on that.

From the beginning of the film, at least right after the wedding scene, I was hooked. I loved the "Science Fiction Double-Feature" song and thought that the setup was really going places. And, for the most part, the film continued to work for me for about the first forty minutes. I was into the songs, enjoyed the spectacle, thought Tim Curry was great, and was really interested in where the story was going. Only the story didn't ever really go anywhere. About halfway through the film, I felt like it was really dragging and I got disinterested. The songs started feeling more labored, and I didn't care what was going to happen next. By the end of the picture, my interest had picked back up, and I was enjoying myself again, but the volition was all but gone after the second act.

Do I recommend the film? Yes, I probably do. It is a huge cult film, after all. You might as well see it, at least just to see what all the fuss is about. But I can't say that I will revisit it any time in the near future. I am, however, inclined to get the soundtrack to re-listen to a handful of the songs in the film that really stuck out. Oh, and I should just note that I did watch this one with the wifey, she'd never seen it either, and she is head-over-heels for it now. Looks like this rental just turned into a purchase, just not for me.

6/10

Clip of the Week

2010-10-28T16:44:00.001-05:00

Clip of the Week

2010-10-19T04:29:00.001-05:00

Harrys Gym - Old Man

Harrys Gym - Old Man from heide on Vimeo.

October Horror Gauntlet Film #8

2010-10-14T06:49:00.003-05:00

October Horror Gauntlet Film #8
Survival of the Dead
Directed by George A. Romero

Do I really have to write this review? Not that I'm the first to say it, but it feels more like a eulogy than a review, and I hate to have to do that. Romero is kind of a personal hero of mine. He was able to, for all intents and purposes, create an entire genre. And it's a genre that has spawned some of my favorite movies, to boot. He created (or at least brought to prominence) all of the modern mythos behind zombies, for crying out loud. The man is legend. But, like Stevie Wonder, U2, Francis Coppella, or Robert De Niro sometimes legends lose it in their twilight. It seems to me, after the debacle that was Diary of the Dead, and now this, that Romero's time in the sun may be over.

I can't begin to describe how disappointing this film is. My first gripe is how uncinematic the movie feels. I might as well have been watching a webisode on someone's blog as watching a feature film. The script is completely hamfisted, the acting is brutal, and the effects (mostly computer) are cheap and silly looking. Somebody please call Tom Savini!

I can forgive most of the problems - the acting, the grue, sure it's a low budget picture. Not everything is going to be A grade. But the script...the script is in need of some serious work. It's not just the dialogue, which is bad, but the plot is so stupid - it's the Hatfields and McCoys on an island during a zombie holocaust...plus some army guys, and a kid! Really? This is the story you want to stick with, George?

The only redeeming qualities to the film are 1) that it is a Romero zombie film, so you automatically have to give it at least one cool point and 2) the few practical effects that are in the film look pretty good. Other than that, I don't know if I would waste my time with the movie.

3/10

October Horror Gauntlet Film #7

2010-10-13T19:52:00.002-05:00

Film Number 7: Don't Look Up

October Horror Gauntlet Film #7
Don't Look Up
Directed by Fruit Chan

Fruit Chan is a director that I really wanted to catch up with after seeing his section of the anthology film Three...Extremes. His addition to that film, Dumplings, is my personal favorite of the three. And I hear tale that the full-length Gaau ji is superb, so it was a no brainer when I saw that he had an English-language film out. I was especially interested to see if he reeled in the usually zany Eli Roth.

Unfortunately, Roth is only in the film for about two minutes, and the rest of it is borderline garbage. I can't believe that this is the same guy who made the incredibly nuanced Dumplings. The whole production feels cheap - the scares, the script, the effects all feel very cheap. And you will definitely feel like you've seen this movie before - it's like The Man With the Screaming Brain meets John Carpenter's Cigarette Burns, if that gives you any insight.

If you really care, the story is about a young, former wunderkind director named Marcus Reed who suffers from schizophrenic visions (or, possibly, sees ghosts). To clear his good name, he embarks on a quest to remake a classic Romanian horror tale that was begun many years ago, but never completed. The plot is more convoluted than that, it includes the true story that the original film, and subsequently the remake, is based on and a deal with a devil, but who really cares? You won't be lost by the story, but you will wonder why the hell they went through so much effort just to make a crappy story.

3/10

October Horror Gauntlet Film #6

2010-10-11T18:54:00.001-05:00

October Horror Gauntlet Film #6
Cold Prey (2006)
Directed by Roar Uthaug

Honestly I hadn't heard very much about Cold Prey before I decided to fire it up on the ol' Netflix Stream. I knew it was a Norwegian slasher, and that it took place in the mountains, but that was it. I had pretty high hopes for it, being a slasher from Norway and really thought that it might offer us something new in the genre. Unfortunately, my expectations were not to be fulfilled because what we are left with is pretty much the same movie you've seen fifty times before.

Cold Prey starts out with a group of five young adults on their way to a mountain on a snowboarding adventure. One of the guys ends up breaking his leg, and they take shelter in an abandoned ski lodge for the night. Uh-oh, turns out someone else lives there, too, and he doesn't like visitors. If you want to know the rest of the story; think of every cliche in the book and apply them to a ski lodge in Norway and you've got Cold Prey!

I'm not suggesting that it's necessarily a bad thing to stick to classic tropes, but I expected some variation from the same old stuff we see in American cinema all the time. Maybe up the ante, you know. Instead, we've got a very trite story, some decent scares, and some lackluster kills. I can say that I had fun watching Cold Prey with a buddy. We actually ended up providing our commentary through much of the picture, MS3TK-style. But, in all seriousness, the film is fairly effective at times and can be a pretty good time if you are looking to shut off and enjoy a dumb movie. For that reason alone, I will at least have to give it a five on the enjoyment scale.

5/10

Clip of the Week

2010-10-07T22:50:00.001-05:00

October Horror Gauntlet Film #5

2010-10-07T16:56:00.000-05:00

October Horror Gauntlet Film #5
Night of the Comet (1984)
Directed by Thom Eberhardt

It wasn't too long ago that there still a handful of genre favorites unreleased on the DVD medium. It wasn't but just a few years ago that we first got a favorite of mine, The Burning, on disc. A few months before they released The Burning, MGM put out the cult classic Night of the Comet for the first time on DVD. I had never seen the film, and have always meant to pick up the DVD and check out what I hoped was an eighties genre gem.

Does it live up to those high expectations? No, not really. Not in the same way that Night of the Creeps does, anyway. Don't get me wrong, Night of the Comet is a fun movie, that is very much a product of its time. The effects, the big hair, the all-around goofiness of the picture all really place the film in the eighties, but it's a fun trip back in time rather than a tedious one.

The picture stars Catherine Mary Stewart (The Last Starfighter) as Regina, a tough-as-nails 18 year old Los Angeleno vixen. She is actually a lot of fun to watch, and one of the best parts of the film. The story, such as it is, is about a comet that is going to be making a pass of earth (the same one that was last seen when the dinosaurs died!) and the havoc that ensues after said comet turns most of civilization into red dust. Yeah, just like the dinosaurs! Anyway, there are some zombified people in the movie, but it's really light on zombies.

Overall, I can recommend Night of the Comet as a fun movie to watch on a Friday night, preferably with a group of friends. Grab some popcorn and enjoy it as a trip back in time to watch some silly movie making.

6.5/10

October Horror Gauntlet Film #4

2010-10-05T07:04:00.003-05:00

October Horror Gauntlet Film #4
Wait Until Dark
Directed by Terence Young

Wait Until Dark is a fantastic little 1967 suspense-thriller directed by Bond veteran Terence Young. The film stars Audrey Hepburn, who was nominated for the Oscar, Richard Crenna, and Alan Arkin playing against type as the scummy villain Harry Roat. From the get go it’s pretty easy to spot that the movie was based on a play – the dialogue and what is basically one small set betray this – but it doesn’t detract from the enjoyment of the film. The play was actually pretty popular, originally being directed by Arthur Penn and starring Lee Remmick and Robert Duvall.

By no means does Wait Until Dark defy plot synopsis, nor is it incredibly convoluted, but I am finding it difficult to sum up the action in a few short sentences. The movie starts with a woman smuggling heroin inside of a doll. From there, an innocent man gets roped into the drug muling by way of the woman asking him to hold the doll for her. He does so, and brings the doll back to the apartment (for reasons I don’t seem to recall) and that’s where the trouble begins. Arkin’s Harry Roat masterminds a plot to find the doll in this house, while confusing Susy into thinking that her husband may be involved in a murder.

It’s kind of a Hitchcockian thriller, and one that I would highly recommend. It’s very taut, and very exciting. I kept waiting for a dull moment, or for the action to drag but it never really did. And the final twenty minutes are edge-of-your-seat type stuff that will really have you glued to the TV. The main problem I had with the film was the lack of depth to the characters – but things like Hepburn’s portrayal helped me get around that and really believe her even without a wealth of characterization. Sometimes she did dip into melodrama, which was a little distracting, but for the most part I can understand her Oscar nomination.

7/10

October Horror Gauntlet Film #3

2010-10-05T07:03:00.002-05:00

October Horror Gauntlet Film #3
Horror of Dracula (1958)
Directed by Terence Fisher

Dracula, in some iteration, has been played by a lot of different heavyweights. Max Schreck, Bela Lugosi, Klaus Kinski, Jack Palance, Frank Langella, and Gary Oldman have all donned the cape and portrayed the undead count – even if they were called “Nosferatu” instead of Dracula. But I don’t know how much better it can get than the ultra-debonair Christopher Lee.

Lee stars opposite of Peter Cushing’s Van Helsing in this, the first of Hammer Horror’s classic Dracula series. The Bram Stoker story has been streamlined down to a breezy 82 minutes, completely omitting the character of R.M. Renfield and Quincey Morris. They’ve also eschewed with some of the seedier aspects of the story, in favor of more implicit relationships, and some of the more time consuming plot points (like Dracula’s sea voyage). Personally I don’t feel like any of these changes detract from the power of the story. If anything, I feel like cutting the fat, as it were, helps make the story more cinematic in its pacing.

I won’t go into details on the story, as you’ve already heard it. Instead, I’ll discuss why this particular version of the story is probably my second or third favorite telling. The obvious reason for my fondness of the film is the cast – Lee and Cushing are an institution of character acting. They play opposite each other so well in so many Hammer films, that it’s difficult to think of a better acting duo.

Secondly, that classic Hammer atmosphere is a driving force that brings me back to this particular version time and time again. The sets look pretty fantastic, the Terence Fisher direction is superb in its subtlety, and the overall atmosphere of Victorian dread is palpable in all of the scenes. To me, it can get better than Horror of Dracula, but it would be a very difficult task.

8/10

October Horror Gauntlet Film #2

2010-10-04T16:22:00.002-05:00

October Horror Gauntlet Film #2
Friday the 13th (1980)
Directed by Sean Cunningham

I’ve seen Friday the 13th at least twenty times over the years, but watching it over the weekend it took on a whole new life for me. I was finally able to get my hands on the uncut Blu Ray edition of the film, and I thought it looked pretty fantastic. It wasn’t quite like seeing a whole different movie, but it was close.

Now, this advance in technology works both against and in favor of a movie like Friday the 13th. Some of the shots of the lake look just gorgeous on Blu Ray, but things like the prosthetic neck used during Kevin Bacon’s death are exposed as being very fake looking. The other big revelation that the disc brings for me is finally being able to see the uncut deaths in all of their glory. Annie’s gets particularly more brutal (she’s the one that bites it at the beginning of the film).

The big question that I always have with movies of this ilk is do they hold up? I think that the answer to that is a little fuzzy. I enjoy the film as much now as I ever have, but what I appreciate is the simplicity of it rather than the sheer terror Cunningham is attempting to bring to the screen. Full disclosure here, I am an unabashed fan of summer camp movies. That includes fare from Sleepaway Camp, to Wet Hot American Summer, to Meatballs. I love the genre, and particularly when the films are from the eighties. Those movies captured a sense of innocence, both in the filmmaking and in the subject-matter presented, that is difficult to replicate.

Cunningham’s idea of taking that idyllic, yet hormone-fueled atmosphere of the summer camp movie and marrying it with a stalk-and-slash thriller is a pretty fantastic one. And, for the most part, I do love Cunningham’s film. I think that it does get that feeling down – that youthful exuberance amongst the serenity of a beautiful camp background – and he slowly begins to dilute that atmosphere with impending doom. That all still works for me.

The main problems with the film lie at the very heart of it, and they are the script and the plot. For the most part, the characters are completely underdeveloped and are on screen as nothing more than fodder for the killer. This is incredibly common to the slasher film, but it is also something that needs to be remedied. The main plot idea works, but there’s no real “oomph” to it. The big reveal doesn’t work particularly well, because the viewer just doesn’t have any reason to care. I’m starting to run a little long here, so I will cut myself off. Let’s just say that while Friday the 13th is a film that I will always love, it is pretty flawed.

6.5/10

October Horror Gauntlet - 2010

2010-10-02T10:36:00.004-05:00

Every year I attempt to watch at least 31 horror movies in the month of October. It's rare that I succeed, but it's a lot of fun to try. This year, I kicked things off last night with Adam Green's Frozen.

October Horror Gauntlet Film #1
Frozen (2010)
Directed by Adam Green

Adam Green is the man behind the throwback slasher Hatchet (and the great Jack Chop), but this is decidedly different fare for him. Frozen is more of a psychological thriller/suspense movie, and one that pretty much takes place entirely in one location - aboard a chair lift on top of a mountain. In case you don't know the story, it's about three skiers that try to catch one last gnarly run (or whatever) in the night, and are inadvertently stranded at the peak of a chair lift's ascent up a mountain.

For the most part, I enjoyed the film. SPOILER ALERT: It's fun watching the kid from Air Bud think that he can jump three stories and be fine, only to have his legs shattered and his face eaten by wolves. Yeah, that happens. You wanna see it now, don'tcha? Sometimes the film does get bogged down into the same tropes that you see in any of these "stranded" films, and it can also dip into really saccharine sentiment at times as well.

I can appreciate the difficulty of making a film like this have any kind of real prowess, because it is so stagnate, and I think that Green is able to sustain a pretty good buzz through-out most of the films run time. That's not to see that it is an excellent film by any means, just one that will hold your attention until about the one hour mark, and then again about twenty minutes later. Overall, I'd recommend it to you to watch on a cold, snowy night with some friends.

6.5/10

Clip of the Week

2010-10-01T01:29:00.001-05:00

Gem Club - Animals

Gem Club - Animals from Gem Club on Vimeo.

Clip of the Week

2010-09-25T01:19:00.004-05:00

The Flaming Lips - See the Leaves

Clip of the Week

2010-09-19T19:42:00.000-05:00

Grinderman - Heathen Child

Clip of the Week

2010-09-09T04:34:00.001-05:00

Barn Owl - Light from the Mesa

Barn Owl - Light from the Mesa from Thrill Jockey Records on Vimeo.

Clip of the Week

2010-09-04T08:53:00.001-05:00

Sébastien Tellier - L’amour et la Violence

Clip of the Week

2010-08-28T00:58:00.000-05:00

Magic Kids - Superball

Clip of the Week

2010-08-21T15:13:00.000-05:00

Ayshay - Warn-U

Clip of the Week

2010-08-13T03:53:00.000-05:00

TSHE-TSHA BOYS - NWAMPFUNDLA

TSHE-TSHA BOYS - NWAMPFUNDLA from The Trilogy Tapes on Vimeo.

Bruno

2010-08-06T12:23:00.003-05:00

Now That's Art!

2010-06-11T10:58:00.001-05:00

The Dirty Dozen (1967)

Now That's Art!

2010-05-20T10:03:00.000-05:00

Predators (2010)

Clip of the Week

2010-05-17T17:20:00.001-05:00

Rainbow - Gates of Babylon

R.I.P. Ronnie James Dio

2010-05-16T18:29:00.003-05:00

Ronnie James Dio - R.I.P.

Lead singer of Rainbow, Dio, and Black Sabbath died.

R.I.P. Peter Steele

2010-04-15T13:39:00.002-05:00

PETER STEELE - RIP

Aparently Peter Steele is dead. For real this time. Heart failure at the age of 48. Now, he has faked his own death before - so there is some hope that this is false. But this news makes me very sad. I only got to see Type O Negative once, but it was fantastic. I'll be breaking out my Symphony for the Devil DVD tonight, and pouring a little bit out for him.

The Movies that Made Me: Ten Films that Shaped My Life Part Two

2010-04-12T06:30:00.000-05:00

Here are the next two films in my recent series of posts, The Movies That Made Me.

5. Annie Hall - College, as I'm sure is the case with a lot of people, was a really enlightening time for me. I was turned on to new, exciting books, great music, and, of course, a lot of classic and foreign films. Woody Allen was a guy that I really never gave a chance until 2003 - my second year of college. I'd seen Celebrity a few years earlier, and really didn't enjoy it. But, I had a pair of friends (one of whom can be found here) that were fairly big Allen apologists, always raving about the philosophy, wit, and hilarity of his films. One night, I finally gave in to them and watched Annie Hall. It turned out they were right. Here was an intellectually thrilling, romantically endearing comedy that is zany as hell. Having just started delving into the repetoire of the Coen Brothers, and listening to the likes of Bill Hicks this excited me to no end. I went to a used book store and picked up Without Feathers and Side Effects (hilarious, btw), and became a full-blown Allen fan.

4. Mulholland Dr. - Mulholland Dr. was released in 2001, but I didn't get the chance to see it until 2004. I remember my first watching pretty vividly. I was already a pretty big fan of David Lynch, Blue Velvet being my favorite of his films. I had already seen Lost Highway, so I was fairly prepared to have my mind fucked. But nothing I had seen before compared to the epic beauty/tragedy of Mulholland Dr. If you've seen the film, you understand - whether you like it or not - that the film subverts the viewer's expectations from film in very strange ways. The narrative is shattered, and watching the film is a bit like piecing together a puzzle that's been doused in kerosene. It's a true experience, as the viewer takes an active role in the film by working as detective. I'm not exagerating when I say that this film reaffirmed my faith in film as an artform. It's hard to describe why it works so well for me, but it instantly became one of my all time favorites, and encouraged me to make a few shorts of my own. Just a two years later, I would find myself visiting some friends in Los Angeles (the same ones that encouraged me to watch Woody Allen), and I was able travel along Mulholland Dr. It wasn't as good as the movie, but it was pretty awesome anyway.

Cool Swag

2010-04-08T12:02:00.002-05:00

Cool Swag: Dutch Southern

It's been a while since we've had a Cool Swag addition to the ol' blog, but I just ran across this place and it is totally deserving. I'm talking about Dutch Southern Shirts. Been looking for a sweet Death Wish shirt that has Charlie Bronson coming out of a magic lamp? Of course you have. Well, look no further. Or maybe you are more interested in one that basically tells the story of True Romance. Well, Dutch Southern has you covered. The screen prints look teriffic, and at $20 a shirt they are reasonably priced. I plan on picking some of these bad boys up for myself.

Now That's Art!

2010-04-07T10:54:00.003-05:00

New Poster Art from Tyler Stout for Best Worst Movie

Spotlight on Evil: My Pet Monster

2010-04-01T09:23:00.002-05:00

Spotlight on Evil: My Pet Monster

Sure, "evil" may be a bit too strong a word to describe My Pet Monster, but just look at that little devil. Blue fur, sharp fangs, yellow eyes, and he's chained up like the Castle Freak - I think those are all signifiers of the evil lurking inside that little bastard's black heart.

In case you are not a product of the eighties, My Pet Monster was a plush doll first produced by American Greetings in 1986 that was targeted, like the equally evil My Buddy, to boys. Eventually there was a whole line of characters put out as his companions, but who gives a shit about them? Not me.

You might also remember the terrible live-action, direct to video film from 1986 about a boy who becomes the Pet Monster after being exposed to some statue. Whenever the boy gets hungry he changes into the Pet Monster (ala The Incredible Hulk). Some baddie tries to kidnap him to perform what I can only assume to be bizarre sexual acts on him - I'm not certain I'm remembering that exactly right - and the boy's sister helps him escape. You can actually find a dub of the film, straight from a VHS copy, on YouTube here.

After the DTV movie, ABC carried a short-lived animated series based on My Pet Monster. From 1986 to 1987 the show followed Monster who lived with a boy named Max. When Monster wore his handcuffs, they turned him into a stuffed animal. Max and Monster got into a series of silly adventures, all the while trying to hide Monster from the world-at-large. Honestly, I don't remember the show too well, I was caught up watching GI Joe as often as I could, but you can actually find all thirteen episodes on DVD now.

Back in 2001, Toymax released a commemorative edition 22" talking My Pet Monster plus doll, but it seems that they are about as hard to find/expensive as the originals from the eighties. Eventually I plan on re-buying one of these bad boys for my son. They go on eBay for around $40, give or take. It seems to be harder to find them still fully in tact with their handcuffs, but I would hold out for a complete one. Anyway, I hope you enjoyed this trip down memory lane - and this Spotlight on Evil.

Enjoy the intro from the My Pet Monster cartoon:

Now That's Art!

2010-04-01T08:32:00.002-05:00

April Fool's Day (1986)

The Movies that Made Me: Ten Films that Shaped My Life Part One

2010-03-29T09:01:00.003-05:00

Recently I've posed a challenge to a lot of other bloggers around the ol' blog-o-sphere. I've asked for people to list the top ten movies that have shaped their lives as movie fans, art lovers, artists, people, and whatever else. Tent-pole films of your life, if you will. I figured that it was only fair that I did it myself. So, here are the first five of my top ten movies that shaped me - in chronological order. And, remember, if you'd like to participate in this, by all means go ahead and do so. Feel free to grab the banner from here and use it on your own site.

Films 10-6

10. Jaws - I swear to you that I have this vague, fuzzy memory of being two years old and watching Steven Spielberg's Jaws on our living room television set while I lay on the floor entranced by the disturbing images on the screen. I can only remember one scene from it at that time, but it involved one of Brody's kids, and it affected me on a deep level. It was the first movie that I ever saw that picture children in harm's way. That really freaked me out - and it made me aware of how film could really evoke emotion from the viewer, particularly fear. For anyone that claims Jaws is not a horror movie, I say "pffft". I'm not sure how deeply this film scarred my psyche, but I am still scared of deep bodies of water to some degree. If that doesn't count as "shaping me" as a person then I don't know what does.

9. Star Wars - As far back as I can remember, I always wanted to be a Jedi. I mean that, when I was little my brother had all of the old Kenner Star Wars toys. He had Taun-Tauns, The Rancor Monster, the Hoth Playset, I mean everything. My first exposure to the Star Wars universe came from these toys, stuffed animals, and bed sheets. The business of Star Wars was so large and booming that the movies might as well have been commercials to sell the toys, but I'll be damned if they weren't fantastic commercials. I still remember watching our VHS copy (which I still have, complete with receipt - $50!) of A New Hope and being absolutely floored by the incredible daring and action that took place on the screen. It was and still is something to be hold, some of the better fantasy mythos that I've encountered. Through the years, I grew even fonder of Star Wars. I was the kid in middle school and high school that wore the Star Wars t-shirt with the Japanese script on it, and carried an original Boba Fett toy in my backpack.

8. Halloween - Another very early horror flick for me, Halloween shaped me at two different times in my life. Firstly, when I was a kid it scared the beejezus out of me. I can remember watching it one Halloween night with my older siblings and some of their friends. We were eating popcorn and watching it in my brother and my room. Even though it was the television edit, I was still terrified of THE SHAPE. Throughout the years, I kept watching scare shows and it ended up being Jason that really stuck with me and became my favorite slasher villain. That is, up until I was about twenty years old or so. At that point, I was really starting to appreciate film. I went back and took at look at Carpenter's early work, including Halloween. For the first time the whole package really struck me as amazing. The atmosphere, the POV shots, the ambiance of the soundtrack. I saw the film with new eyes, trying to dis-remember the sequels and forget about Laurie Strode being Michael's sister and really focusing on it as a stand-alone film. It's a remarkable piece of cinema, and I will always love it.

7. Back to the Future - I doubt that I ever actually understood the awesomeness of Back to the Future when I was a kid, even upon the many rewatches that eventually wore out my VHS tape. At least not the way I do now. What I did know was that I really enjoyed the film, Michael J. Fox, and the concept of travelling through time. I like to think on some level that I did understand that this actually pretty fine film-making, but that may be giving my 6 year old self too much credit. Back to the Future did help a lot in shaping my sense of humor, and my idea of cool. I thought that Marty McFly was the coolest guy in the world - he was suave, charming, had hunnies all over him, and was quietly funny. I do remember that first time travel scene really disturbing me, when Doc Brown is shot down by the terrorists - I was always really happy when Marty found Doc in the past alive and healthy.

6. The Usual Suspects - This is probably the biggest tent pole film for me, in terms of film appreciation. I watched The Usual Suspects when I was in high school. I don't remember the exact age, but probably around 14. I had no real pretense about the film, no expectations, but after I watched this movie I found myself in love with film for the first time, not merely as a spectator but as an active participant in the world of film. Now, I don't mean that I became a film-maker (though, I would go on to make a couple of shorts), what I mean is that I became aware of film-making elements that had never occurred to me before. I became, slowly of course, someone that felt the need to participate in film - to engross myself in it, learn about it, actively seek exciting films, I subscribed to auteur theory without even knowing what it was. I didn't know who Bryan Singer was, but I knew that I was all in on him. I felt that I was witnessing the birth of an exciting young talent, that I could grow with and follow. I still get that same feeling sometimes. It's great to find diamonds in the rough that you can watch the progression of. I love it baseball, music, film, you name it. It was really an exciting time in my film watching experience and one that really shaped me not just as a film lover, but as a person to better understand things like art and craftsmanship - completely enriching my life. Watching the film today, I'm not as enamored with it. Don't get me wrong, I still think it's one of the best pictures of the nineties, but I am more satisfied with what the movie did for me as a person than with the actual picture itself.

The Landlord (2009): A Review

2010-03-27T07:31:00.000-05:00

The Landlord (2009)

THIS REVIEW CONTAINS SOME MINOR SPOILERS

Recently I was enticed by some fairly excellent throw-back style cover art to watch writer/director Emil Hyde's (apparently) first and only movie, The Landlord. Knowing that it was very low budget picture, I assumed it wouldn't live up to the great cover, but picked it up anyway off of the official website just to support independent horror. The DVD will only cost you $12, including shipping. Click the link to check out the trailer

The Landlord is the story Gary, landlord and part owner of a small apartment building. He's a regular guy, who happens to have a very irregular problem - his apartment building actually houses two blood-thirsty demons. It's up to Gary to keep the demons fed and happy, by enticing tenants (preferably fat, lazy ones) to rent out his rooms. One day, a young woman, with troubles of her own, moves into one of the vacancies - only this time Gary takes a shine to her and has to do decide what to do about his situation.

I wish I could get on here and say that my preconceived notions were all wrong, and that The Landlord was actually a fantastic first effort from Emil Hyde. Unfortunately, I think the best thing I can say about the film's merits is that it's not bad. It's not particularly good, but it's not terrible either. Most of the jokes don't quite land, the grue is lacking, the effects are cheap (if sometimes effective), the writing is fairly flat, and the acting is generally amateurish.

There's one really strange side story in the film that involves Gary the landlord's sister. Apparently she's a dirty cop who has made a deal with demon possessed monster/vampire people. The monsters feed on criminals, and the cops collect their spoils is how it works, I guess. Anyway, it's never really explained why these creatures exist, if they are an accepted part of reality, or what. It's just kind of a strange little story tucked into the larger one.

There is a lot to knock about The Landlord, but there are good things as well. The best thing the films has going for it is that there is certainly a lot of heart behind The Landlord. I love Rom Barkhoarder's Rabisu character, and I think he really shines here. The setup is interesting, even if the writing fails to deliver on it. And, even though most of the jokes fall flat, some of them actually do work.

What I am really hoping is that this is a stepping stone for the crew involved here. If Hyde can harness the passion that is seen here, and develop some of the talent that is glimpsed here, then I think we could really be on to something. Cheapie horror doesn't have to be bad, and even though The Landlord isn't going to make you rethink your ranking of best horror flicks, it does at least exemplify that.

5/10

Now That's Art!

2010-03-26T05:15:00.001-05:00

The Expendables (2010)

Films from the Crypt: Episode 13 - Maximum Overdrive (1986)

2010-03-24T04:21:00.002-05:00

Films from the Crypt: Episode 13 - Maximum Overdrive (1986)
Director: Stephen King
Starring: Emilio Estevez
Tagline: "Who Made Who?"

Warning, here there be spoilers:

The poster tag "...masterpiece of terror directed by the master himself" may be a little bit of an overstatement. In reality, Maximum Overdrive is one of the campiest, most fun horror flicks of the eighties. And, it's pretty easy to see that it was intentional when the first scene has an ATM calling Stephen King an asshole.

The plot is pretty simple. The earth passes through the tail of a comet and, without warning, all of earth's machines take on a life of their own. Oh, and they are murderous. Can't forget that part. We never actually come into any realization as to why the machines are rebelling, I guess it's technically possible that there are invisible aliens that are driving the trucks around. The main story follows a group of people that are surrounded by circling semi-trucks inside a gas station. These include a pervy Bible salesman, newly wed couple, and a badass ex-con played by the Mighty Duckman himself, Emilio Estevez.

Just look at the poster to get a sense of the overall awesomeness of the film. Yeah, I think it's a picture of a well-bearded Steve King breaking through a trailer holding strings attached to semi-trucks like he was the puppet master of so many marionettes. Then you've got Gordon Bombay holding an M16 like he's gone commando while standing next to the female lead.

The characters are underdeveloped, the plot is so full of holes it's ridiculous, and the gore is fairly light, but dammit, this movie just works for me. It's such a ridiculous premise and the leads play it completely straight, ostensibly to give the terror some legitimacy. But the cheese that spews forth from Emilio playing a hard nosed ex-con taking on both shitty boss Pat Hingle (who is excellent by the way) and an onslaught of nefarious, sentient trucks is just amazing beyond words. If somebody pitched that movie to me, I would green light it faster than you can say Another Stakeout.

At this point, let me go back and address the gore, and say that I have only seen the cut version - word is there is another print of the film that has all the kills in tact. I'm holding out hope that the infamous "little kid run over by a steamroller" kill gets even more awesome in the uncut version.

I also want to discuss a little bit about, at least what I see as, the major plotholes. For instance, why are some machines controlled by the alien force, and some are not. Why does the force not just take over the newly weds car instead of trying to use a dump truck to squash them? It seems like it would be easier. We also know that the force is capable of taking over simpler machines, like guns (as is seen when the rolling machine gun acts as a sentry at the gas station), but in the final act all of our protagonists use guns in an attack against the truck menace. It boggles my mind! I'm assuming that someone of King's caliber recognized this and either didn't feel the need to address it, addressed it and it was cut, or just didn't give a damn.

But, the fact of the matter is that none of these flaws make me like the film any less. In fact, I think they are kind of endearing. In reality, I should think that this movie is pretty shitty, and maybe it is, but I happen to think it's awesome.

7/10

Now That's Art!

2010-03-23T13:32:00.000-05:00

Chained Heat (1983)

Spotlight on Evil: Leslie Vernon!

2010-03-22T05:41:00.000-05:00

Part Man Bites Dog, part American Psycho, and part Friday the 13th - Behind the Mask: The Rise of Leslie Vernon unleashed its eponymous protagonist upon the world. Leslie is the type of guys that likes to laugh at the little things, he likes to curl up with a nice book on rainy evenings, and he especially likes to hack up young girls into teeny tiny pieces.

While living in the small town of Glen Echo, Leslie took up with and became the apprentice of a retired serial killer named Eugene. Here Leslie lived for a time while he refined his skills as a sickle wielding psycho. This stuff takes a lot of practice and hard work.

Finally, in 2006, Leslie Vernon was ready to take the mantle of ultimate serial killer from the likes of Michael Myers and Jason Vorheese. After devising a very elaborate plot to trap and kill a group of unsuspecting teenagers (complete with a red herring and a final girl), Leslie enlisted the help of college journalist Taylor Gentry and her crew to document his rise to serial killer prominence. Of course, that didn't work out that well. After chasing young Taylor into an orchard, Leslie is actually killed by his own final girl.

But! Yes, there's always a but. As it turns out, Taylor's meddling may have actually done the world a grave disservice, as Leslie's body is seen rising up from the coroner's table. Could it be that Leslie has joined the ranks of Jason and Michael as an unstoppable, undead murderous psycho? God, I hope so.

I would like to formally lodge a complaint, however. There is no cool Behind the Mask swag. At least, none that I could find. Give us a t-shirt, and action figure, something, because Leslie Vernon is the great big bloody shit. That sounds grosser than I meant, but you get the picture.

Clip of the Week

2010-03-21T14:50:00.002-05:00

Admiral Radley - Thread live and acoustic on NPR

Now That's Art!

2010-03-17T11:35:00.001-05:00

Leprechaun - 1993

The Timeline Post - Slow Descent

2010-03-15T16:26:00.000-05:00

I had to get on here and just do a mini-review of one of my new favorite albums: The Timeline Post: Slow Descent. Full disclosure: one of the members is a contributor to this site. That said, this album is still really great.

While not quite a concept album, there are certain thematic undercurrents that weave throughout the album's running time. It just so happens that those undercurrents are neatly tied up into the record's title: Slow Descent. The title is apt both musically and lyrically, as each element work together to lull the listener into an ever deepening chasm of despair and misfortune. That may sound hyperbolic, but it's difficult to listen to this record without feeling at least on some small level a sense of being lost in the dark. It's a record of beautiful questions that don't have any answers. And one that I don't think will leave my CD player for quite some time.

Go here now and purchase it for a mere $7, with free shipping.

Clip of the Week

2010-03-11T15:14:00.001-06:00

Mother directed by Joon-ho Bong

Now That's Art!

2010-03-08T10:29:00.001-06:00

Switchblade Sisters (1975)

Films From the Crypt: Episode 12 - Home Movie (2008)

2010-03-02T08:43:00.002-06:00

Films from the Crypt Episode 12: Home Movie (2008)
Director: Christopher Denham
Starring: Adrian Pasdar

Warning, here there be spoilers:

Generally on the Films from the Crypt section we take a look back at some older films that you may have missed, but today I make an exception. Today we are going to look at a film that was released a couple of years ago called Home Movie. Released at the beginning of the Second Found Footage Wave (my own moniker), Home Movie is just that - a found footage film. But unlike something like Cloverfield, Home Movie is a very, very small film that centers around a family in upstate New York. The family, the father (a priest - played by Adrian Pasdar or, as I know him, Caleb from Near Dark) the mother (a psychiatrist), and two kids, have moved to the rural countryside in order to ease the children's declining mental states.

I don't know how much of a spoiler it is to say that this is a killer kid film, as you can probably gather that by looking at the back of the box. And, let's be honest, who doesn't love killer kid films? From the Bad Seed to Who Can Kill a Child? to The Good Son, killer kid flicks are just great. Mine is still just shy of three months old, so I don't have to worry too much about him, but I wonder if I'll still feel this way when he gets a little older...old enough to weild, say, a hammer?

Anyway, so the two little freakish kids wind up being just a little bit more malevolent than the parents ever thought. That's all well and good, but my absolute favorite part of the film is the filmmaker's propensity to wrap everything up very nicely. At the end of the film (LAST WARNING - SPOILERS AHEAD) when the kids finally best ol' mom and pop, they put to use every bit of advice that the dad had given them in attempts to "normalize" them. Here is a list of things that I picked up on that were originally taught to the kids by the parents, and then turned around on them to be used for their demise:

Trash bags for dead things.
The dragon/paper mask story.
The picking of the locks.
The tying of the knots.
The ability of the pills to induce comas.
The use of a baseball bat.

Overall, it's an interesting film. That's not to say it's fantastic or anything. The acting is pretty flat, at times it's not lean enough to keep you from wanting to hit fast-forward, and sometimes the camera work can get on your nerves. It's definitely not the best found-footage movie (I'd give that title to Spain's [rec]), but it is an entertaining, and deeply interesting piece that works, for the most part, on all the levels that it attempts to. It's definitely recommended viewing and a nice find in the onslaught of crappy horror that's produced today.

6.5/10

Clip of the Week

2010-02-28T15:02:00.000-06:00

A Nightmare on Elm St. (2010) HD Trailer

Now That's Art!

2010-02-25T07:16:00.000-06:00

Texas Chainsaw Massacre 2 (1986)

Diagnosis: Death - A Review

2010-02-24T10:43:00.007-06:00

Years ago, when Peter Jackson was just breaking in to the film business, it seemed like New Zealand might be poised to be a hotbed, albeit a small one, of horror film activity. Bad Taste and Braindead seemed like the beginning of something major. They were, only they were the beginning of Jackson's long and award-addled career. It didn't really mean too much for New Zealand horror. Just a couple of years ago another Kiwi horror comedy came out and created a bit of a buzz itself, Black Sheep. A horror film about killer sheep? Sign me up! And, it is a fun little movie - one that I recommend you view with some friends and a good sense of humor.

Last year, Affordable Films released New Zealand's latest horror-comedy Diagnosis: Death. They tried to capitalize on the popularity of their country's own Flight of the Conchords and included Brett McKenzie, Jemain Clement, and Rhys Darby. Full disclosure: I love Flight of the Conchords - the show, and the band. The only problem is that these guys are probably in the film for a total of five minutes between them. Yeah, it's a cocktease.

The film itself, a horror-comedy, is surprisingly light on both horror and comedy. It stars Raybon Kan (apparently he's a New Zealand stand-up) as a school teacher that is stricken with a rare form of cancer. He goes to a weekend drug trial to test out new, experimental drugs that may be able to cure him. Sounds reasonable enough, but wait, there's more. It turns out this hospital used to be...wait for it...a MENTAL INSTITUTION! dun-dun-dun. And, as if that wasn't enough, some famous author supposedly killed herself and her child in this very same ward!

The movie is basically a ghost-story-mystery thing disguised as a comedy. The laughs are few and far between, the revelation at the end is predictable, and the horror is cheap and stupid. That said, the two minutes of screen time that are alloted to Rhys Darby had me rolling - he's basically playing Murray as a doctor. I was able to watch it with a friend and we managed to enjoy ourselves by adding our own, MS3TK-style commentary to the film and rewinding the Rhys Darby's final scene (he gives a great look at the end of it) multiple times. Fortunately, they keep things fairly light and every once and a while the jokes will land so you should be able to get through the film.

Because we were able to enjoy ourselves while watching, I'll give it a 5 out of 10, but it really doesn't deserve anything higher than that. I advise you not to buy this one. It may be worth a rental if you are a big Conchords fan or would like to watch something light and silly with some buddies on a weekend. I advise against watching it by yourself, too, as you'll have no one to crack wise with.

5/10

Clip of the Week

2010-02-22T19:59:00.002-06:00

Final Placement - Shine

"Shine" by Final Placement from sharity world on Vimeo.

Now That's Art!

2010-02-20T07:10:00.000-06:00

Andy Warhol's Dracula - 1974

The House of the Devil: A Review

2010-02-19T10:42:00.005-06:00

The House of the Devil Reviewed

I was finally able to sit down last night and watch Ti West's The House of the Devil. I had been anticipating it for quite some time, I loved the poster art, the gimmick of releasing the film on VHS, and everything about the film seemed alluring. Needless to say, I was very excited to finally be able to watch it. Unfortunately, it was something of a let-down for me.

I was actually able to get with the gimmick of creating a film that looked/felt like an eighties picture, at first I thought that was silly, but rationalized it as a period piece that's HEAVY on the period. And, you know what, the set up is pretty nice. The first reel makes it seem like you are in for a really good time. It seemed like it could have been the first reel of some lost Halloween sequel from the eighties. Genre staple Dee Wallace even pops up in the first five minutes of the picture.

Unfortunately, writer/director Ti West is unable to deliver on his set up and we're left with a lot of filler, and, ultimately, an uninspired, easy, and trite ending. The entire second act is superfluous, and could have been better utilized. I kind of dug the montage scene. It amped up the pace a little bit, but ultimately it was too little too late. The film had already begun its slow plod into mediocrity by that point. I won't spoil the ending here, but I will say that it is not rewarding as a film watcher. You've seen it before, you will see it again.

It's too bad, too. I love a good "slow burn" horror film. I love films like The Sentinel or The Entity. You could really tell they were going for Polanski (think Rosemary's Baby or The Tenant) with this one, but few people are as capable as Polanski and Ti West isn't one of them. This movie had so much promise, but ultimately feels flat and all the gimmicks in the world can't save a flat script.

5/10

Spotlight On Evil: Cropsy!

2010-02-18T07:50:00.002-06:00

The Killer from The Burning (1981)

1981's The Burning is one of my favorite slashers of all time. It has the panache of the first couple of Friday the 13th films, but it's much more of a mystery being a one-off. Had Cropsy come back for more adventures, the luster may have worn off a bit, but as it is The Burning stands alone as a really good slasher with a great villain.

Interesting Trivia: Tom Savini turned down the chance to work on Friday the 13th Part II to work on The Burning!

Cropsy's Story: Camp Blackfoot's alcoholic groundskeeper/janitor Cropsy is sleeping in his cabin one night when some young campers take it upon themselves to teach him a lesson. The prank goes horribly wrong, and Cropsy is severely burned - having to spend the next five years recovering in the hospital. He is released from the hospital, only to return to the site of his accident in order to stalk the campers of Camp Stone Water, located across the lake.

That's right. A burnt up villain that uses sharp objects to kill his victims. I'm not implying that a certain Wes Craven stole anything from this film, Cropsy certainly doesn't stalk people in their dreams, but it is interesting. In all honesty, the movie shares much more in common with Friday the 13th (specifically part 2) than it does with A Nightmare on Elm Street.

Interesting Trivia: The Burning was one of Miramax Film's earliest successes.

Okay, so the story is a little uninspired, but this ain't Shakespeare. Besides, who needs a good backstory when you've got a sharp pair of gardening shears just itching to get bloody? Oh that's right, I've failed to mention the fact that Cropsy is responsible for one of the greatest massacres ever to be filmed - the infamous RAFT MASSACRE. Please see this YouTube video HERE for reference.

I would like to recommend that everyone head over to Fright-Rags and check out their The Burning shirt which features the subject of today's Spotlight on Evil. It's pretty great and sells for $19.95.

There's not a whole lot more left for me to say about our dear Cropsy, the guy only lasted for one film in the slasher era for Pete's sake, but he will always be near and dear to me. I hope you guys enjoyed reading a little bit about my burnt up, kill-happy friend Cropsy.

Clip of the Week

2010-02-16T08:07:00.001-06:00

Robocop Fried Chicken Commercial

Now That's Art!

2010-02-15T10:48:00.002-06:00

The Crazies (1973)

What is The Warfreak Doing?

2010-02-13T07:26:00.003-06:00

When I first started this blog, I used to periodically make posts about what I was currently in to - music, movies, that sort of thing. Basically just a listing of what was going down in my life at the time. Now, I realize that may not be very interesting reading, but it's alot of fun for me to go back a look at those time capsule like posts and see what was going on at the time I made them. So, that means you're stuck with it, I guess.

Currently Watching (film): I thought that my film watching would go down quite a bit after having the baby, but instead now it's just done in pieces. I'm able to watch movies off of my Netflix Instant Queue (via Xbox Live) in 30 minute segments during every feeding! Pretty nice.

The last few movies I've watched are Rick Rosenthal's 1983 gritty teen prison (reform school, whatever) film Bad Boys and Spike Lee's opus Do the Right Thing. I'd never seen either of these films before and I was really impressed with both of them.

Currently Watching (television): Right now is a pretty good time for me on network television. I got roped into Jersey Shore for its entire season, and, oddly enjoyed it. But now I'm back to my staples - How I Met Your Mother, The Office, and The Big Bang Theory. Oh, with Community thrown in for good measure. I've also been watching more of The Daily Show and Colbert Report lately (thank you, DVR) and have been catching up on Moral Orel reruns.

Currently Watching (television on DVD): My wife and I have just started the second (and final) season of Pushing Daisies on DVD. It's a quirky, silly show that we enjoy. It's kind of like Tim Burton Presents: CSI. If you've seen it, I think you'll agree.

Currently Listening To: There aren't really any bands that have my attention right now. I listen to The Dan Patrick Show every day, so that's cool. Here's a list of some recently played tracks:

The Unicorns: Tuff Ghost
Tupac Shakur: Picture Me Rollin'
Neil Young: Down By the River
Tom Waits: The Piano Has Been Drinking
The Arcade Fire: No Cars Go
The Timeline Post: Wedding Bell Murders
The Grateful Dead: Box of Rain
The Beach Boys: God Only Knows
Peter Gabriel: Solsbury Hill
Chuck Berry: Nadine
The Red House Painters: I'm Sorry
Sigur Ros: Staralfur
Fair to Midland: The Wife, The Kids, and the White Picket Fence

Currently Reading: Just got done with Under the Dome and am starting (for my first time) Cujo. So far, I'm enjoying it. I also just read the Devil's Due mini-series Halloween: Nightdance (which has an interesting set-up, but falters due to plodding writing).

Currently Playing (video games): When I get the time, I'm still playing Call of Duty: Modern Warfare II. I enjoy it a lot, especially when I can connect with old friends on XBL and play some Team Hardcore. Other than that, when my friend Jon comes by the house (and the baby isn't home) we have started rocking the Rock Band again. Name of the band: ShotgunHemingway. Look for us, cause we are making a come-up. I've also just downloaded the multi-player demo for the upcoming Aliens vs. Predator game and am really looking forward to that (hopefully my tax refund will let me afford the game).

Now That's Art!

2010-02-12T10:30:00.001-06:00

Catlow - 1971

Under the Dome

2010-02-09T12:20:00.006-06:00

Under the Dome: A Short Review

(minor spoliers ahead)

Hey, gang, I know I'm a little late to the party on this one but, dammit, I've got a newborn at home at it makes it a little difficult to find time to read. Especially when what you are reading is an 1100 page, nineteen pound mammoth book. Anyway, I finished Under the Dome last night and couldn't wait to share a few quick thoughts on it. Hopefully you'll be inspired to read it, ifin' you haven't already done so.

Firstly, the book is really long, but don't be daunted by that. I swear, it is a rather fast-paced read - as are all of King's works. It took me around a month to get it finished (and that's with a new baby). If you can get past the length, then you are in for one hell of a ride.

I don't know if I really need to rehash the plot, but here's a quick synopsis: a seemingly impenetrable dome, suddenly and without reason encapsulates a small Maine town - trouble ensues. There you have it. That's the plot in a nutshell. Granted, I just boiled down 1088 pages into one sentence - so it's a bit of an over simplification. There are tons of characters - some good, some bad - that align with each other when the going gets rough so you may get some flashbacks to King's earlier opus The Stand. And there is a great amount of fantastic characterization found within these pages.

Themeatically, King touches on the duality of humanity (something he does well), conservation of natural resources, pollution, human suffering, and - deftly, I think - religion as a tool for control. In a lot of ways, I feel like this must be King's answer to 9/11. The novel starts with a plane crash (and MINOR SPOILER ALERT: there is a second crash quite a bit later in the novel). Once the Dome is revealed, Big Jim Rennie seizes control of the town with religious zeal and fear - creating, for all intents and purposes, an army to carry out his (and God's, of course) bidding. That sure does sound familiar.

There are problems with the novel, to be sure. Some of the dialogue is a tad bit on the phony side. Especially when King writes children. I've never met a single person that talks like the kids in this book do. But, in the context of 1100 pages of awesome I think that we can forgive these minor trespasses. The other problem that I had was with the ending - I'm just not sure that it was enough for me. Not that I didn't expect that with King. He's so wonderful for 95% of his books and then will come screeching to a halt, very abruptly, without a real ending. Let me be fair here, Under the Dome's ending isn't all that unsatisfying - in fact, I actually liked it. I just didn't like it as much as I liked the rest of the novel.

With that said, it really is one of the best books I've read in a while. I still keep up with King, and read all of his work as it comes out, and I must say that this is Steve's best work in years. On a scale of one to ten, with ten being The Stand, I'd give Under the Dome an eight. I recommend it - highly!

8/10

Now That's Art!

2010-02-09T08:06:00.002-06:00

Sssssss - 1973

The Legend of Billie Jean

2010-02-08T16:45:00.005-06:00

On Netflix Instant Queue

Hey, gang, it's your friendly neighborhood Warfreak here to impart a little bit of awesome to you. If you are unfortunate enough not to own a VHS copy of The Legend of Billie Jean, you can cheer up because I've got good news for you. It would seem that the mail-rental giant Netflix actually has the film up for instant viewing - which is fantastic because the flick isn't even on DVD. Anyway, I just thought I'd give a heads up to any of you folks out there are geeky enough to care.

If you are completely unfamiliar with the movie, here's a brief synopsis:

When bullies trash her brother's (Christian Slater) scooter, Texas teen Billie Jean (Helen Slater) asks the ringleader's dad to pay for repairs. Instead, he attacks her, forcing the siblings to fight back. The confrontation leaves the man wounded, so Billie Jean flees and becomes a wanted fugitive as well as a media sensation. The press follows her tale, and she becomes a role model for anyone who's ever felt exploited.

Now go. Watch.

Clip of the Week

2010-02-08T06:38:00.000-06:00

Star Wars Auditions: Kurt Russell

Snake Plissken as Han Solo?

Upcoming Film Preview: The Expendables

2010-02-07T06:21:00.000-06:00

Upcoming Film Preview: The Expendables
Directed By: Sylvester Stallone
Starring: Sylvester Stallone, Dolph Lundgren, Jason Statham, Jet Li, Eric Roberts, Steve Austin, Bruce Willis, Arnold Schwarzenegger, Mickey Rourke, Danny Trejo, Randy Couture
Country: USA
Release Date: August 13, 2010

Plot Synopsis: (from IMDb) "The Expendables is a hard-hitting action/thriller about a group of mercenaries hired to infiltrate a South American country and overthrow its ruthless dictator. Once the mission begins, the men realize things arent quite as they appear, finding themselves caught in a dangerous web of deceit and betrayal. With their mission thwarted and an innocent life in danger, the men struggle with an even tougher challenge one that threatens to destroy this band of brothers."

Did you look at that cast?! Seriously, go back up to where it says "starring" and look again. Of course I'm going to see this. I don't care what it's about - there are guns and that cast. I'm in. This is a can't miss. If only someone with a better sense of irony were helming it - but, alas, we'll see what Sly can do with this.

Spotlight on Evil: Reptar!

2010-02-05T08:31:00.000-06:00

Spotlight on Evil: REPTAR!

When I was a kid, I loved Nickelodeon. Part of the first batch of Nicktoons (original programming from Nickelodeon), Rugrats really held its own against the likes of Ren & Stimpy and Doug. It was funny, cute, well animated, and surprisingly intelligent. But there was one character on the show that always stood out to me as awesomely evil: Reptar.

You remember Reptar, the Godzilla knock-off that was featured as a sometimes hero/sometimes villain on film, TV, and on ice(!) in Rugrats? 'Course ya do. For me, as a movie monster fan, it was great to see the kids in the show show such affection for a giant lizard. Maybe it made me feel less weird in my own fascination with giant monsters and shambling things that went bump in the night? I don't know exactly why, but ever since I first saw him on the show, Reptar made me appreciate Rugrats just a little bit more.

Stupid trivia: Reptar first made an appearance in a 1991 episode entitled "At the Movies".

Now, you may be asking yourself is Reptar really evil? Well, the answer is: sometimes. They played him as both hero and villain at various stages of the show - likely a reference to how Godzilla varied from hero and villain, but my favorite Reptar is the big, bad, villainous one.

And, I swear these guys aren't paying me anything (but I wouldn't object if they did), 80's Tees comes through again to bring us this badass little number to the right. That's right, now you rep Reptar anywhere you go! In the club! At the movie show! Bordellos! Wineries! Anywhere!!!! AHHHH!!!

It would seem that Reptar is actually a little more popular than I thought before researching for this post. In fact, he has his own roller coaster called Rugrats Runaway Reptar at three different theme parks (Kings Island, Dreamworld, and Carowinds). It's an inverted coaster that is specifically meant for kids. I'd say that you know you've made it when you have your own roller coaster.

I guess there's really only one thing left. Enjoy this YouTube video of The Rugrats episode Runaway Reptar!

Runaway Reptar - Part 1 (1 of 4):

Now That's Art!

2010-02-04T05:29:00.000-06:00

Shamus - 1973

Upcoming Film Preview: Frozen

2010-02-02T11:07:00.003-06:00

Upcoming Film Preview: Frozen
Directed By: Adam Green
Starring: Emma Bell, Shawn Ashmore
Country: USA
Release Date: Feb. 5, 2010 (limited)

Plot Synopsis: "Three snowboarders become stranded on a chairlift at a ski resort. Realizing it'll be a week before the resort opens again, they are forced to make a series of life-or-death decisions."

Adam Green is best known amongst the horror set for Hatchet and his Halloween shorts, but this one, which stands outside of the horror genre, does look really interesting. Supposedly this is one of the most tense and trenchant films you're ever likely to see - some had said Jaws on the slopes. I don't know how true all of this is, but you bet your ass I'm going to give Mr. Green a shot. Keep a look out this Friday as the film gets its inital limited run.

Clip of the Week

2010-02-02T06:16:00.001-06:00

House by the Cemetery Trailer

Now That's Art!

2010-02-01T12:11:00.004-06:00

In Memoriam of Zelda Rubenstein:
Anguish (AKA Angustia) - 1988

Spotlight on Evil: Krang!

2010-01-31T05:35:00.000-06:00

Welp, boils and ghouls, I thought today would be a perfect day to start a new segment on The 'Choke: Spotlight on Evil. This will be my chance to showcase some of my favorite villains in pop culture history. And what better way to kick it off than with that diabolical brain - Krang!?

Krang is one of the most excellently strange super villains to ever grace the small screen. According to his Wikipedia page:

He somehow took command of an army of Rock Soldiers under the leadership of General Traag, and stole the Technodrome, a powerful mobile battle fortress, from its creator Von Drakus. One day, an unexplained, bizarre incident occurred that caused Krang to be stripped of his body and reduced to a brain-like form, also resulting in his exile from Dimension X to Earth, along with his army and the Technodrome.

While on Earth, Krang allied himself with the Shredder, who, along with his robotic Foot Soldier army, moved into the Technodrome. In exchange, the Shredder had to design and build a new body for Krang, a human-shaped exo-suit. Shredder lived up to his part of the bargain in the season 1 episode [The Shredder is Splintered], in no small part because he was unable to deal with the Turtles and needed Krang's help. Indeed, in the season 3 episode [Shredderville], the Turtles have a dream of a parallel world in which they never lived, and Shredder had no problem taking over the world. In this world, Shredder abandoned Krang after his conquest was complete, leaving him with no body and a heavily-damaged Technodrome.

I bet you didn't know all of that. But, now I've got your interest piqued, fo' sho. Krang sure does have a lot of charisma for being nothing but grey (pink?) matter, I think we all have to give him that. Let's take a look at Krang in pop culture...

When I was a kid, I had all kinds of Turtle memorabilia, including, you guessed it, a bunch of toys. I had the Turtle Sewer Base, at least a hundred action figures, the Party Wagon, even the Technodrome...but my most prized Turtle possession? Krang in his robot body. That's right, I was the only one I knew that had it, and I felt like Ricky Schroder when the other kids would come over and gawk at my terrifically tall toy. Sure, I broke the little antenna off the top of his head, but dammit if he wasn't still a glorious sight to behold. Just look at the picture to the right and tell me that you aren't getting just a little bit jealous thinking about how much fun I must have had using that thing to break apart my Construx or trample my Gi Joes.

Of course, one of the absolute coolest things that I've come across recently is this T-shirt from 80's Tees. As you might be able to gather, the shirt is supposed to make you the android body with Krang resting comfortably, helming the controls that make you're dumbass move! How delightful! But, really, someone buy me this. Please, because I really do want it.

Also, don't hestiate to check out Paper Foldables for a sweet how-to guide on making your very own Krang origami. Which, has kind of always been a personal goal of mine...

That about raps up our first edition of Spotligh on Evil. I hope we've shed a little bit of lit on the wondeful creature that is Krang of Dimension X.

Now That's Art!

2010-01-30T07:06:00.000-06:00

Missing in Action 2: The Beginning - 1985

RIP J.D. Salinger

2010-01-28T15:05:00.003-06:00

Jerome David Salinger

Man. I knew this day would have to come soon. I didn't know whether I would care when it did. Salinger's work had a huge impact on me when I was an adolescent. Catcher in the Rye was the novel that sparked my interest in literature. I first read it when I was a freshman in high school (which is the perfect time to read that book). It grabbed me in a way that nothing before it had, I connected on an emotional level with the novel's protagonist (Holden Caulfield). I am saddened at his death. I'm fairly certain that I've read the majority of his published work, and I always loved reading the little details about the Glass family of whatever mundane things his characters were doing. He really could write the hell out of some characters. The positive in this? Perhaps those legendary stacks of work that are in his New England home will now be printed. On the other side, Salinger notoriously hated the cinema. I always thought that might stem from the fact that his wife cheated on him with Charlie Chaplin while J.D. was at war. To add insult to injury, J.D.'s son became a c-grade actor (see: Captain America). Anyway, his disdain for film led him to allow but one cinematic release of his work (My Foolish Heart), but now that he's gone we may see a whole crop of Salinger movies. Catcher in the Rye would be the obvious capper. I happen to love the cinema, but I also have respect for the artist's wishes in regards to his work. We'll see what happens.

Salinger was 91 years old.

Top Ten Albums of 2003

2010-01-28T05:20:00.002-06:00

To continue our series on the best albums by year, let's pick it up at 2003. To check out the rest of the entries, click here. Anyway, here is my list for the best albums of that year:

1. Grandaddy - Sumday - There is, consistently, an air of tragedy in Jason Lytle's voice that really disturbs me. By disturbs, I mean that it has the ability to interrupt my current state of consciousness and really wash over me, drenching me in a sea of melancholy. I don't know exactly where I got this connotation, but the album always reminds me of JD Salinger's short story "A Perfect Day for Bananafish", they both have the exact same effect on me. They both make me feel strangely nostalgic and eerily devoid of emotion at all. If I could explain it better, I would. Let's just say that you should own this record.

Stand-out tracks: I'm on Standby, Saddest Vacant Lot in All the World, El Caminos in the West

2. The Mars Volta - De-Loused in the Comatorium - From the ashes of the short-lived "it" band At the Drive-In comes The Mars Volta, and they came out swinging. With a deft command of language, that defies any expectations for lyrics, these guys also Omar Rodriguez-Lopez's driving guitars and Flea's explosive basswork really elevated this record to another level. In my opinion, they really lost something after this album. I think maybe after the destruction of At the Drive-In, Cedric and Omar had so much pent up aggression and artistic vision that was waiting to be released that it all came out on this first record. What I'm saying is they blew their load early.

Stand-out tracks: Roulette Dares (The Haunt Of), Televators, Drunkship of Lanterns

3. Jay-Z – The Black Album - This is Jay's eight studio record, and one of his absolute best. Billed as his final record, there's a motif throughout The Black Album of "farewell", be it through death or retirement. With that motif in place, the album carries a certain weightiness about it, not unlike Notorious BIG's Ready to Die. Luckily, Jay-Z wasn't nearly as prophetic as Biggie, and he's still alive and well. The production (credits include Just Blaze, Kanye, Rick Rubin, and The Neptunes) on the album is stellar, and Jay is just as potent as ever on the mic.

Stand-out tracks: 99 Problems, What More Can I Say?

4. The Fire Theft - S/T Obviously there are going to be comparisons to Sunny Day Real Estate here, so I'll just start off by saying that this record sounds more like The Rising Tide than any other Sunny Day album, being less raw than something like Diary and less emotionally straining than How It Feels, but still harnessing the power of Jeremy Enigk's vocals. Some of the songs can come off as a bit on the sentimental side, but I don't think Enigk has ever tried to hide that side of himself. It's a powerful record, I recommend listening to it with the volume up high.

Stand-out tracks: Heaven, Rubber Bands

5. Outkast – Speakerboxxx/The Love Below - This now classic double album really blew me away in 2003. It's somewhat of a split EP, with Big Boi mainly being featured on Speakerboxxx (disc 1) and Andre 3000 mainly being featured on The Love Below (disc 2). An interesting route for Atlanta's dynamic duo, but it works. Big Boi's effort feels more like Outkast than Andre's, but both measure up well. Let's just face it, Andre is weird. Does it stand up next to Aquemini? Probably not, but it's still fresh (and clean).

Stand out tracks: Hey Ya!, The Way You Move, Prototype

6. Deftones - Deftones - A very original, and excitingly heavy album, Deftones is both gritty and fun. The guys really wanted to go in a new direction after White Pony, they aimed for a harder sound and it worked. It's a bit of an eclectic album, combining a bit of the old, with some new. The addition of synthesizers and keyboards is welcome within the context of the album and they also included a very accessible single in Minerva.

Stand-Out Tracks: Hexagram, When Girls Telephone Boys

7. Cursive - The Ugly Organ - The Ugly Organ is Cursive's fourth studio album, and one of their best. A concept album, the record takes us into the head of the "Ugly Organist" as he deals with the depravity of his life. The whole thing is intriguing, dealing with lust and betrayal with an adept hand, and reaching its climax at the end of the record with the opus "Staying Alive".

Stand-out tracks: The Recluse, Driftwood: A Fairytale, Staying Alive

8. Radiohead - Hail to the Thief -To be honest, I didn't know what to expect with Hail to the Thief. Kid A was such a game changer that it was hard to figure out exactly what Radiohead could do to follow it up. Hail to the Thief is a decidedly different album than Kid A. It's exploratory, but in different ways than the previous album. Kid A (and OK Computer before it) defied convention and really changed the landscape of pop music. Boundaries are pushed on Hail to the Thief as well, but it's the boundaries of the band, not of pop music. This album marked an excited time to be a Radiohead fan because where the hell could they go from here?

Stan-out tracks: Sail to the Moon, We suck Young Blood, The Gloaming

9. Dimmu Borgir - Death Cult Armageddon - One of the most rocking albums I have ever heard, Death Cult sounds like a mixture between Danny Elfman, Slayer, and a volcanoe. Usually filed under "Symphonic Black Metal", I urge any metal fan to pick it up, because you shan't be disappointed. This record will castrate your brain with it's intensity. Death Cult is Dimmu's sixth studio record, and Shagrath's vocals haven't ever sounded better.

Stand-out tracks: Progenies of the Great Apocalypse, Allegiance

10. The Unicorns - Who Will Cut Our Hair When We're Gone? - This Canadian ban ended their run entirely too soon. Luckily from their ashes sprang forth Islands, but still The Unicorns were an exceptionally good band. Who Will Cut Our Hair starts out with "I Don't Want to Die" and ends with "Ready to Die", everything in between seems to be about taking your lumps and learning acceptance of mortality. Heavy stuff for a sometimes silly band.

Stand-out tracks: Tuff Ghost

D-Pad Hero!

2010-01-27T16:11:00.005-06:00

Guitar Hero for the NES

Some of you may remember my posts about guitar games that I did last year (found here and here) and, if so, you know how much I enjoy playing those games. You may also be aware than I am a big fan of retro gaming as well. Fortunately, someone has seen fit to take those two great loves and force them to do the dirty to create a bastard offspring! That bastard's name? D-Pad Hero!

That's right. This game is perfect for your if you've ever wondered what Guitar Hero would have been like if it were made in 1987 (and who hasn't done that?). It's awesome - and the best part is that - if you have an NES emulator - you can download and play the game for free.

Click HERE and start rockin' today!

Films from the Crypt: Episode 11 - The Slumber Party Massacre (1982)

2010-01-26T14:32:00.008-06:00

Films from the Crypt Episode 11: The Slumber Party Massacre (1982)

Director: Amy Holden Jones

Tagline: "Close your eyes for a second...and sleep forever!"

Starring: Michael Villela, Michelle Michaels, Debra Deliso

It's recently come to my attention that the Slumber Party Massacre DVD has gone out of print. Being someone that owns the disc, I've contemplated selling it on eBay - some of the asking prices are outrageous on there - but I just don't know if I can part with it. You see, The Slumber Party Massacre is one of my favorite eighties slashers. I'm card carrying - I've got the shirt from Fright-Rags and have seen all of the sequels including the T'n'A'd out Cheerleader Massacre (which, oddly enough, has more connection to the first film than you would think). It's a great film - and actually a pretty fun little series.

Before we discuss the plot, let's talk about the film's humble beginnings. According to legend, feminist author Rita Mae Brown originally wrote a draft of the script that was a parody of the burgeoning slasher genre - one that served as a wake up call to the misogyny showcased in such films. Of course, when the studio got a hold of the script they trashed all the spoof elements, rewrote it, and played it straight. Strangely enough, a few years later The Slumber Party Massacre II would arrive, being a parody itself (and one I'm rather fond of - I may do an episode on it in the future).

Anyway, all of that aside, Slumber Party Massacre is a little light on plot. A few girls have a slumber party when some parents are away, the new girl feels like an outcast, blah blah blah, and then they get murdered by a power tool wielding, fresh out of the sanitarium psycho name'a Russ Thron. That about sums it up. And if that little synopsis doesn't entice you, then I can't do anything for you and your life sucks.

But, oh, SPM, why do I love thee? Is it the gratuitous flaunting of nubile female skin? Is it the fact that the kills aren't always spectacular, but are always full of vigor? Or is it the absolute lack of pretension, the lack of irony, and the unwavering feeling like you are trying to act like a real film? I think it has to be all of these things.

The kills, while fun, aren't up to snuff if you've cut your teeth on the likes of mid-series Friday the 13th or anything after that. But, I'll be damned if the film-makers didn't give it that old film school dropout try. Which is how the whole movie feels. There's a tenacity to it, and a certain built-in naivety that permeates the production. It's there in the original Friday the 13th as well. It's there in The Burning and Sleepaway Camp. But, it's decidedly absent from any of the new onslaught of slick remakes. It's also absent from films done by extremely competent directors - like Carpenter's Halloween - because they are just too good. It's a quality that can't be reproduced. And that's why I love The Slumber Party Massacre - it's the spirit of this whole damn cheapie slasher movement that is encapsulated in these early eighties films that really gets me more than anything else.

So, if you can find it, I heartily suggest that you pick yourself up a copy of The Slumber Party Massacre and give it a watch some Friday night. Watch it with a bowl of popcorn in your jammies, maybe with a group of friends (if you have any, nerd). I guranty you will not regret it.

Survival of the Dead Release Date Set

2010-01-25T16:04:00.004-06:00

Romero is Back From the Dead
So, since Magnolia Pictures subdivision Magnet picked up the rights to George Romero's Survival of the Dead last month, it seems that the ball has quickly started rolling. According to Fango, Magnet has scheduled a US release date of May 28th, with a Video on Demand release set for April 30th. This is good news for me, as I live fairly close to a Magnolia theater - and I would assume this should play there. As with Bruce Campbell vs. Frankenstein, I'm a little hestistant to get too excited about this due to the lackluster offering that was Diary of the Dead. Of course, I am always willing to give Mr. Romero the benefit of the doubt. Perhaps the old man still has something up his sleeve to surprise us with. Judging from the trailers, I kind of doubt it, but you never know.

Now That's Art!

2010-01-24T17:14:00.002-06:00

Mansion of the Doomed (1976)